KATHRYN SAVAGE

 

TODAY MY STUDENT PRESENTS ON OCEAN PLASTICS

A pregnant sperm whale washed up dead on a beach in Sardinia, stomach full of plastic. 48 pounds. One flip-flop, many drinking straws. In my student’s PowerPoint, the pregnant whale opened on the shores. I touch my stomach, feel my cesarean scar. In our northern classroom snow falls outside and that was a long time ago, when my body was opened in a Manhattan hospital that’s been renamed. I was twenty-four and in the video his father made, moments after he was born, I say to him, over and over again, hello, hello, sounding twenty-four. Saying, hello, hello, drawing him to me as if he was not beginning his slow leaving, but arriving. In class, we watch scientists dig gloved hands in the dead whale. They lift a rubber soled shoe from her, another.

 
 

Kathryn Savage is a hybrid writer whose debut lyric essay collection, Groundglass, is forthcoming from Coffee House Press. Her writing appears or is forthcoming in Academy of American Poets poets.org, American Short Fiction, The Guardian, Bomb Magazine, The Beloit Fiction Journal, World Literature Today, among others. A recipient of the 2018 Academy of American Poets James Wright Prize, she’s a current Tulsa Artist Fellow.